SAB/Three Part Mixed Selections

A triumphant Mozart masterwork for today's choirs! This joyful opera finale opens and closes with a boisterous choral fanfare that features a brief, expressive vocal duet in the middle. The text is in

Taken from Haydn's masterwork, this shortened edition has also been transposed to make it more accessible. The setting of the compact Latin text explores many of the conventions of the Classical period,

This authentically constructed arrangement of the Schubert masterwork features reasonable ranges and accessible reading for developing singers. Both German and English lyrics are included in the score of

Introduce your choir to Vivaldi's masterwork with this sensibly adapted edition for developing choirs. Conservative ranges and the accessible Latin text give an educationally sound experience with high

Cherubini's 18th-century masterwork can be performed either a cappella or with the supportive piano accompaniment, providing flexibility for concert or festival programming. An accessible Latin text (with

From Purcell's "Birthday Ode for Queen Mary," which also includes other well-known odes, such as Sound the Trumpet and Strike the Viol, this setting of Come, Ye Sons of Art has

This stately and elegant setting of Purcell's masterwork from Birthday Ode for Queen Mary is adapted specifically for developing choirs. With vocal ranges that work well for young singers, the

This well-written arrangement is a wonderful festival piece for middle school choirs. A nice introduction to singing in Latin, the easy-to-teach piece includes a pronunciation guide and translation for the

The Schubert masterpiece, skillfully arranged for developing choral groups, provides opportunities for solos or section features and allows conductors to work on healthy singing technique, beautiful

One of the world's most recognized and performed choral works from Handel's Messiah is now available in a carefully crafted arrangement for middle school mixed voices! Special attention has been

A delicate Lied sensitively set for two-part or three-part voices. The piano accompaniment is especially beautiful and appropriate for this masterwork from the Romantic era. Teaching opportunities abound to

This excerpt from Vivaldi's "Gloria" is specially arranged to meet the needs of the developing singer. An intelligent choice for teaching phrasing and other stylistic features of the Baroque period, this